• Home
  • Exhibitions / Events:
  • ↓ Callosum. Mobius, Bucharest
  • "Living Content Live". Hosted by Times Square Space
  • ↓Against Interpretation. Alexander and Bonin, New York
  • ↓ Mother lode. The Hessel Museum Art, Annandale-on-Hudson, New York
  • ↓ Stranded Travelers. Atelier35, Bucharest
  • ↓ languageleaps. Plan B Gallery, Berlin
  • ↓ (abc) D. Berlin
  • Writing:
  • Interview with Katja Novitskova. KALEIDOSCOPE (#34)
  • Catalog essay: "Hayal Pozanti: Murmurs of Earth", at Jessica Silverman Gallery, LA. Print.
  • ILANA HARRIS-BABOU. CURA 31. GRRRL POWER.
  • An essay on the work of Korakrit Arunanondchai. KALEIDOSCOPE’s issue #33 (fall/winter 2018/19). Print.
  • "The Nü Sensitivity Anthology" by Shaun Motsi. ODD Bucharest
  • Exhibition Review: Songs for Sabotage. The New Museum Triennial. CURA Magazine. Online.
  • Interview with Korakrit Arunanondchai. CURA magazine #26. Print.
  • Book review. "Representations of Memory in Documentary Film". Revista Arta #31. Print.
  • Exhibition Review. with history in a room filled with people with funny names 4 by Korakrit Arunanondchai. The Brooklyn Rail. Online.
  • Interview with Slavs and Tatars for RevistaArta. Online.
  • LIVING CONTENT (founder / editor in chief)
Home
LIVING CONTENT (founder / editor in chief)
Exhibitions / Events:
↓ Callosum. Mobius, Bucharest
"Living Content Live". Hosted by Times Square Space
↓Against Interpretation. Alexander and Bonin, New York
↓ Mother lode. The Hessel Museum Art, Annandale-on-Hudson, New York
↓ languageleaps. Plan B Gallery, Berlin
↓ (abc) D. Berlin
"The Nü Sensitivity Anthology" by Shaun Motsi. ODD Bucharest
↓ Stranded Travelers. Atelier35, Bucharest
Writing:
Interview with Katja Novitskova. KALEIDOSCOPE (#34)
ILANA HARRIS-BABOU. CURA 31. GRRRL POWER.
Catalog essay: "Hayal Pozanti: Murmurs of Earth", at Jessica Silverman Gallery, LA. Print.
An essay on the work of Korakrit Arunanondchai. KALEIDOSCOPE’s issue #33 (fall/winter 2018/19). Print.
Book review. "Representations of Memory in Documentary Film". Revista Arta #31. Print.
Exhibition Review: Songs for Sabotage. The New Museum Triennial. CURA Magazine. Online.
Exhibition Review. with history in a room filled with people with funny names 4 by Korakrit Arunanondchai. The Brooklyn Rail. Online.
Interview with Korakrit Arunanondchai. CURA magazine #26. Print.
Interview with Slavs and Tatars for RevistaArta. Online.
languageleaps

Matei Cioata
Marius Engh
Calla Henkel and Max Pitergoff
John Holten,
Saskia Noor Van Imhoff
Hanne Lippard
Lorenzo Sandoval

August 2013, Galeria Plan B, Berlin


languageleaps, August 2013

"Whip, knock, or lick something into somewhere, extracting it from its background, then creating its boundary. Its orientation. Its position. Its size. Its sex. Depending on if it has hair or not, depending on if it is there or not. Shadow shaped man and man-shaped shadow. The first visible outline of a human being who was being human picked up a stone and shaped it into a tool. It is very likely that if you can shape a stone, you can shape a sentence. It is very likely that if you can sharpen a tool, you can sharpen a sentence. It takes two to dialogue. Before a man made hand made man made a chip in the stone, the stone was nothing but a stone on the ground untouched by man. Now the stone is a stone in the hand. Man talks, but in tongues and not in stone. Lick. Lock. Luck. Rock. Tricks in the books. Speeches from below. Memorized clouds. Scented information. Earth shaped man, but even more, did man shape man. A fossil is the echo of a once seen being, set in molds and casts of links and traces. Flies entrapped in amber, mammoths entombed in the arctic snows, are preserved in their entirety. Whatever brittleness there is about you, it will vanish with silt or sand when time passes. As one knows; the poor jellyfish is, after all, nothing but a fleeting soul, never given a solid afterlife." Hanne Lippard
languageleaps

Matei Cioata
Marius Engh
Calla Henkel and Max Pitergoff
John Holten,
Saskia Noor Van Imhoff
Hanne Lippard
Lorenzo Sandoval

August 2013, Galeria Plan B, Berlin


languageleaps, August 2013

"Whip, knock, or lick something into somewhere, extracting it from its background, then creating its boundary. Its orientation. Its position. Its size. Its sex. Depending on if it has hair or not, depending on if it is there or not. Shadow shaped man and man-shaped shadow. The first visible outline of a human being who was being human picked up a stone and shaped it into a tool. It is very likely that if you can shape a stone, you can shape a sentence. It is very likely that if you can sharpen a tool, you can sharpen a sentence. It takes two to dialogue. Before a man made hand made man made a chip in the stone, the stone was nothing but a stone on the ground untouched by man. Now the stone is a stone in the hand. Man talks, but in tongues and not in stone. Lick. Lock. Luck. Rock. Tricks in the books. Speeches from below. Memorized clouds. Scented information. Earth shaped man, but even more, did man shape man. A fossil is the echo of a once seen being, set in molds and casts of links and traces. Flies entrapped in amber, mammoths entombed in the arctic snows, are preserved in their entirety. Whatever brittleness there is about you, it will vanish with silt or sand when time passes. As one knows; the poor jellyfish is, after all, nothing but a fleeting soul, never given a solid afterlife." Hanne Lippard